Book review: The Tournament at Gorlan, by John Flanagan

I haven’t given any of the “Ranger’s Apprentice” books by John Flanagan its own review until now. For one, there’s a lot of them and I’m still catching up, and for another I’d likely find myself repeating myself. Instead I gave a blanket review for the first five books that I figured would serve for the entire series.

But I recently met John Flanagan in person and found him to be someone I’d like to further promote. And his latest book, “The Tournament at Gorlan”, is an excellent book. It’s also the start of a new “The Early Years” series set in the same world before Will was born. This book takes up with Halt and Crowley before Lord Morgarath became the nemesis of Araluen. Instead he is in the process of taking over from the inside by framing King Oswald’s son Duncan and taking Oswald prisoner under the guise of protecting him. He’s dismantled the Ranger Corps, replacing them with hand-picked, useless fops and discredited the old rangers still loyal to King Oswald.

What Morgarath didn’t take into consideration was just how formidable a single ranger can be, let alone a dozen of them when they join forces to save the king.  (By the way, did you know it’s pronounced “Mor-GAIR-uth”? It’s the Australian pronunciation, though Flanagan says the American “MOR-guh-rath” works just as well. He’s not picky. He seems to be an author who views his stories as belonging as much to the reader as to himself.)

Fans of the series will enjoy this book for its “So this is how things happened” viewpoint, but if you’ve never read a single Ranger’s Apprentice book it still won’t matter. Flanagan fills it with adventure, danger, and good-natured humor that had me and my boys almost rolling on the floor. I read it aloud to them, and I found myself as eager as they were to get back to reading it.

The one thing you won’t get here is a satisfactory ending. Like many of the other books, this one leaves the story to be continued. Whether he resolves it in one more book or spread over three or more remains to be seen. I do know we’ll be picking them up regardless of how many it takes. They’re fun books, and while my boys enjoy them a little more than I do, the point is they enjoy them. And John Flanagan seems like a really nice bloke who deserves the wads of cash we keep throwing at him. We’re looking forward to the movie that’s in the works, too.

These and his Brotherband series are aimed at middle-grade readers, and while they are perhaps not the most deep books I’ve read in that category, they are as I’ve said many times, a lot of fun. Sometimes they’re saving the world, and sometimes merely the day, but the characters are all good, honest and loyal people who care about each other and can be counted on to do the right thing. There are lessons in each story, both subtle and blatant, and as a parent I’m pleased that I don’t have to worry about what my kids are picking up from these books. John Flanagan’s welcome at my fire any time.

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Bonus Track: Árvas

And this is what happens when joik and jazz meet. (Hmm… Joik and Jazz. The new Rock and Roll? Well, no, the former is pronounced yoik, so it doesn’t quite work, but still…)

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Web Wanderings: Saami vocal styles

The Saami are indigenous people who live in the region spanning northern Norway, Sweden, Finland, and northe-eastern Russia, known more commonly in America as “Laplanders”. Last year on Sweden’s Got Talent a young Saami man, Jon Henrik Fjällgren wowed the judges (and eventually won the competition) with a traditional song style known as “joik”. Here’s what Wikipedia has to say about the Joik:

The joik is a unique form of cultural expression for the Sami people in Sápmi.[3] This type of song can be deeply personal or spiritual in nature, often dedicated to a human being, an animal, or a landscape as a personal signature.[1]Improvisation is not unusual. Each joik is meant to reflect a person or place. The Sami verb for presenting a joik (e.g. Northern Samijuoigat) is a transitive verb, which is often interpreted as indicating that a joik is not a song about the person or place, but that the joiker is attempting to evoke or depict that person or place through song – one joiks one’s friend, not about one’s friend (similarly to how one doesn’t paint or depict about a flower, but depicts the flower itself).

The song below is about his friend, Daniel, who died (preceded by a little backstory):

https://youtu.be/bRfMIbBAJ1A

Of course that is a somewhat modernized style. Here’s some more traditional yoik:

And then back to modernized forms, from the same singer as the Yoik of the Wind, Sofia Jannok:

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Inspiration off the beaten path

I suppose one good reason for getting to know new people is to open ourselves up to things we might not otherwise discover. Marrying a Finnish woman has certainly exposed me to a whole new world I never knew existed, and much of that has been a rich vein for a writer to mine. But when you marry a person you also marry their family, which opens up even more possibilities.

My wife, for example, has very different musical tastes from her sister. In fact I’ve probably learned more about popular Finnish music from my sister-in-law than from my wife. It was my sister-in-law that introduced me to Elonkerjuu, a Finnish folk-rock group (formerly Lauri Tähkä ja Elonkerjuu, but we don’t like to talk about Lauri…).

More recently my sister-in-law introduced me to Nightwish, a Finnish metal band. I have to admit I’m not a fan of metal music, and so I didn’t have high expectations going in. But Nightwish has their own take on metal, often including orchestral elements to the music, and often unifying entire albums around a concept. The album my sister-in-law sent us is such an album. As I understand it, Imaginaerum was created not just as an album, but as a movie as well–almost an extended music video tying it all together.

I’ve not seen the movie, but the album design and the music itself are evocative, reminding me a little of “The Night Circus“, by Erin Morgenstern. Certainly Gothic in feel, all but the first song are in English, and full of imagery and designed to inspire emotions. It’s a window into a different world, a different perspective, and while it’s not one I necessarily enjoy, it expands my own perspective that much more. It’s a view of a state of mind that is unfamiliar to me. It’s not one I would want for myself, but knowing that other people have that perspective is in itself a source of inspiration for me.

It’s not a perspective I would have found on my own. Even though Nightwish has a following here in the United States I would never have picked up any of their music. But here I have an opportunity to experience it anyway. I can’t say that Nightwish is going to end up on my playlists, but there may be times, when writing certain moods or characters, I may need to pull out Imaginaerum for inspiration.

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The (semi-real-life) Martian

There are people out there voluntarily going through experiments on what it would be like to endure the stress of long missions in enclosed environments preparatory to one day going beyond our own terra-system. Jocelyn Dunn is one of them, and PopSci has an interview:

Were there any particularly challenging moments?

Somewhere in the second half of the mission we had a power-system failure. There hadn’t been any sun for a week so our solar-energy setup wasn’t helping, the hydrogen backup was running low, and the gas generator wouldn’t charge the batteries we needed to run the critical systems. In a real Mars mission, that would mean your life support is failing. We needed power to run our labs, not provide our oxygen. We felt stressed, but imagine how magnified that stress would be if you lost power on Mars.

I have to wonder how I would fare in such a situation. I watch movies like Apollo 13 and see how confined their space was and I have to wonder if I wouldn’t eventually just completely wig out. This is probably why I explore other worlds through writing. It’s safer for everyone involved.

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Homies and Harmony

I do miss singing in an acapella vocal group, and especially the tight harmonies of Barbershop. Our ward choir has begun working on a song recently that just cries out for the Barbershop treatment on several of its progressions. But I refrain (ha! get it? I refrain?!).

So I was more than pleased to run across this gem this morning. The sound quality is great for video, and you can get all those spine-tingling harmonics that goes with barbershop sung well. And of course, there’s a twist:

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Be very afraid

Because I’ve crossed over to the Dark Side, and desire everyone to be miserable like myself, I’m sharing this (Of course you should be able to see what it is and NOT watch it, so I can’t be entirely held responsible if you choose to watch):

Seriously, though, am I the only one who saw the first image of the goggled-and-wrapped head and thought “Teenage Mutant Ninja Turtle!”? Yeah, I thought so. After all, I’m warped and twisted enough to share this vid.

Okay, if you’ll forgive me, I give you this:

 

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Writing Update: October 2015

I’m between novels, in a manner of speaking. I’m world-building for my next novel, which may be a trilogy of novels. And even though it’s in the same world as the previous two, I’ve decided I don’t really have enough information on this world, and certainly not enough on the part of it where this story takes places.

I tried outlining my stories to intricate detail before and decided it was too much. But I’ve yet to really try pegging the world-building meter. I look at people like Brandon Sanderson, who has a little gauge on his website indicating his progress, and he seems to know how much world-building is enough. I can’t say I yet know, only that I think I’ve been doing too little. I think I need to at least do enough to where I find my world more tightly influencing all aspects of the story. The characters need to have risen from their environment. The plot needs to be uniquely influenced by the setting. I need to know what the rules are, the areas in which I can explore and the areas in which the “law” is firm.

I have no idea what that looks like. I know there is a very real danger of getting lost in world-building. I don’t feel a need to out-Tolkien Tolkien, but I do fear that I might go too far into it and lose interest in ever getting to writing the story. So this is a bit of an experiment for me, and it could be a little dangerous. How deeply do I need to go? I don’t know. I hope I know when I get there.

There are benefits, however. I’ve already seen some new elements come out of nowhere to add new depth and understanding to my story. And oddly enough, it’s come from greater details introducing greater ambiguity. The story has to do with finding yourself in the middle of legend/prophecy, but unlike most stories of that type (of which there are ample), there is plenty of room for doubt–if not from the protagonist, at least from many of the people around him. I’m excited for what possibilities this opens up for developing my protagonist and the other supporting characters.

That alone suggests I’m on the right track to go deeper with my preparations this time around. It’s important to me that I knock this one out of the park as, more than any of the ideas that I began working on a few years ago, this is the one closest to my heart–and the one I’ve been telling myself I’m not good enough to write yet. I’m not sure why I decided it’s time to tackle this one, but if I’m going to do it, I want to give myself every chance of succeeding.

The question, then, is whether all this added preparation comes from that or is merely a way of avoiding having to start something I’m afraid to fail at. Time will tell, I suppose.

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Your mileage will vary

Much has been made recently of an editorial by Jennifer Lawrence and an article by Alexandra Petri in the Washington Post that claim that women are forced into different speech patterns during business meetings. I find this interesting, because Hollywood and the Washington Post are not well-known as bastions of conservatism. Granted, Hollywood is in the business of serving up human flesh for our entertainment and oggling, so I suspect much of their liberal pontifications are mere cover-fire. But I do really have to marvel at what the business meetings at the Washington Post must be like. Really?!

I’ve never experienced a meeting where women had to hem and haw and cower in order to be taken seriously. (I’m evidently not alone, either.) And I’ve lived most of my professional life in supposed patriarchal cess-pools like Idaho and Utah. From my experience, if anyone is discounted or not taken seriously it’s an individual personality thing, not a gender thing. In the majority of departments and workgroups I’ve been in, those who are naturally inclined to be assertive and speak out tend to dominate the discussion, male and female.

In the first place I worked we had a female QA lead who could (and frequently would) put the alpha male developers in their place. She didn’t have to tread carefully, and to my knowledge no one thought she was overly aggressive. She was passionate about her job, and we respected that. And, more often than not, she was right. I worked for her for a while, and I enjoyed it. And as a rule, she only got passionate and aggressive when necessary to counter the passionate aggression of the other strong personalities in the group.

You know who was the mealy-mouthed weakling in that group? Me. I’ve never been very good at handling conflict, even when I’m only an observer and not the target. I tend toward the passive-aggressive, and I struggle continually with whether or not it’s my place to speak up. Clearly I was missing something in my “Male Privilege Package”. I’m getting better, but I suspect if you were to hand an anonymized transcript of team meetings in which I’m a part to Ms. Petri she’d tag me as the female in the group, and the majority of the women in the group as male.

So yes, I’m afraid I’m going to have to take a bold stand and tell Ms. Lawrence and Ms. Petri that my anecdotal experience is just as valid as theirs and wonder aloud at the institutionalized biases in their liberal organizations that favor hiring mealy-mouthed women. I’ve never worked at one of those. My experience is that there are strong-willed men and there are strong-willed women. And there are reserved men and women. And there are “class clown” men and women. And there are wise, silent men and women who speak little in meetings, but tend to end all debate when they do. And there are overbearing men and women.

It’s not a gender thing. It’s a personality thing. There is no “female” personality any more than there is a “male” personality. Everyone handles things their own way, for better or for worse. If certain organizations aren’t able to grasp that concept, or if certain organizations tend to collect certain types of people, that’s a problem of those organizations and are not necessarily indicative of the entire scope of society. Otherwise I would find it immensely amusing and ironic that the “enlightened” east coast/west coast are the bastions of sexism, while out here in backward, fly-over country we’re actually practicing what the coasts only preach.

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No boom today

 

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